it's called art

just artists i love

Sep 2
odelysinterests:

The Beginning
by Christian Schloe

odelysinterests:

The Beginning

by Christian Schloe

(via casabet64)


flowgently:

'Your true nature' - by Christan Schloe

flowgently:

'Your true nature' - by Christan Schloe

(via casabet64)


afroui:

Margarita Sikorskaia

afroui:

Margarita Sikorskaia

(via casabet64)


julydogs:

Georges de La Tour: The Dream of St Joseph (with detail)  c. 1640 Oil on canvas

(via casabet64)


turecepcja:

Digital sculpting by Kyuin Shim, artist from Seoul, Repulic of Korea.

(via actegratuit)


Sep 1

asylum-art:

Paintings by Ruben Pang

We are enjoying the paintings of Singaporean artist Ruben Pang this morning. Pan describes his paintings as “projections of his psyche, which reflect on notions of prospect, arrival, and transformation.” His process evolves and gradually builds up with each brushstroke and layering of paint.

No One is Innocent
Metabolic
Laughter
Light Entertainment
Anything When I’m High
Stargazers
The Spirit of Ecstasy
Exhale
Liberate the De ad with Eloquence

(via stranger-than-kindness)


artandsciencejournal:

Outer-site Art

 

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.

 

Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.

 

But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!

- Alinta Krauth 


slow-gait:

Évariste Vital Luminais - Les Enervés de Jumièges - 1880s

slow-gait:

Évariste Vital Luminais - Les Enervés de Jumièges - 1880s

(via casabet64)


thecuratedcontent:

Mark Rothko - Untitled, 1963
Oil on canvas

thecuratedcontent:

Mark Rothko - Untitled, 1963

Oil on canvas

(via art--gallery)


(via shalgam)


ein-bleistift-und-radiergummi:

Vilhelm Hammershøi’Interieur mit einer Frau am Klavier, Strandgade 30’ 1901.

ein-bleistift-und-radiergummi:

Vilhelm HammershøiInterieur mit einer Frau am Klavier, Strandgade 30’ 1901.

(via myartmoods)


Aug 30

the-hardest-of-hearts-survive:

Giuseppe Castiglione, Le Salon Carré au Musée du Louvre, 1861

Do you recognize some artworks in this piece?

(via art--gallery)


wasbella102:

Fritz Klimsch:  Fantasy

wasbella102:

Fritz Klimsch:  Fantasy


Aug 27
ghirlandia:

Girl in a red dress reading by a swimming pool (1887)
Sir John Lavery
(Irish, 1856-1941)
oil on canvas

ghirlandia:

Girl in a red dress reading by a swimming pool (1887)

Sir John Lavery

(Irish, 1856-1941)

oil on canvas

(via casabet64)


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